SOBRE / ABOUT        CONTATO / CONTACT
Mutual Films é uma parceria entre o crítico de cinema e programador Aaron Cutler e a artista plástica Mariana Shellard, ambos residentes em São Paulo. A parceria visa a realização de filmes e mostras de cinema.
 

Aaron Cutler
Mestre em Escrita Criativa pela Columbia University (Nova Iorque, E.U.A). Participou do corpo curatorial do festival Olhar de Cinema (2017) e da Mostra Internacional de Cinema de São Paulo (2012 a 2014), sendo responsável em 2013 pela retrospectiva mais completa já realizada dos filmes do cineasta filipino Lav Diaz. Realizou pelo INDIE Festival a retrospectiva de Kira Muratova (2015). Seus textos críticos já foram publicados nas revistas internacionais Brooklyn Magazine, Cineaste, Cinema Scope, Film Comment, Sight & Sound, The Village Voice, entre outras.
 

Mariana Shellard
Mestre em Poéticas Visuais pela Universidade de Campinas (UNICAMP) com bolsa FAPESP. Em 2012 iniciou seu primeiro projeto em dramaturgia e cinema - A Igreja Sem Cristo. Desenvolveu o projeto multidisciplinar RePartitura que resultou em apresentações nacionais e internacionais e foi contemplado pelo programa Rumos Arte Cibernética em 2009. Escreveu artigos para publicações nacionais e internacionais de arte e cinema como ANPPOM, SBCM, OPUS, Moving Image Source, Cinema Scope, The Village Voice, entre outras.
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Mutual Films is a partnership between the film critic and programmer Aaron Cutler and the artist Mariana Shellard, both of whom reside in São Paulo. The initiative seeks to realize films and film series.
 

Aaron Cutler
MFA in Creative Writing from Columbia University (New York, U.S.A.). Worked on the programming teams of the Brazilian festival Olhar de Cinema (2017) and the São Paulo International Film Festival (2012-2014), with a highlight being the curatorship in 2013 of the most complete retrospective realized at that time of the works of Filipino filmmaker Lav Diaz. Additionally curated a retrospective of works by the Russo-Ukranian filmmaker Kira Muratova for the INDIE Festival in 2015. Has had film articles and interviews appear in international publications such as Brooklyn Magazine, Cineaste, Cinema Scope, Film Comment, Sight & Sound, The Village Voice, among others.
 

Mariana Shellard
Master's in Visual Poetics from the University of Campinas (UNICAMP), with a grant from FAPESP. In 2012, began the film and theater work The Church Without Christ. Developed the multidisciplinar art work RePartitura, which resulted in presentations both within Brazil and international land which was awarded through the program Rumos Arte Cibernética in 2009. Has written articles about art and cinema for a variety of publications including ANPPOM, SBCM, OPUS, Moving Image Source, Cinema Scope, and The Village Voice, among others.
 
MUTUAL FILMS